The Wild One Movie Streaming
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The Wild One Movie Streaming.
Movie Title: The Wild One The Wild One is available for streaming or downloading. |
The “bikers” are like Broadway display extras. The dialogue is embarrassingly unauthentic. Hold me, nobody outside of 42nd Street ever talked like that, daddy-o. The record plays out like some kind of “B” Western with a horse shortage. The “town” even looks like a Western state made over for what somebody in Hollywood concept might be a fresh genre. There’s a café and a saloon rolled into one and a gal working there to earn the study, and a town posse and a jail and a sheriff (father of the gal) and some “decent citizens” turning into vigilantes, and instead of outlaws we have “hooligans.” The bikers do everything but tie their bikes up to the hitching post after roaring into town as though to prefer over.
Okay, that’s one level. On another level this should be compared to Rebel without a Cause (1955) as a mid-century testament to teen angst. Or to Blackboard Jungle (1955) with the groundless juvenile delinquency and the phony slang. Marlon Brando as Johnny Strabler, whose claim to fame (aside from being the leader of the pack) is that he stole a second-place biker trophy, stars in a role that helped to originate his career, not that his acting in this film was so tall. (He was better in half a dozen other roles, for example., as Stanley Kowalski in A Streetcar Named Desire 1951, or as Terry Malloy in On the Waterfront 1954) . What stands out here is his tough-guy vulnerability with women: the irresistible itsy-bitsy boy playing ample. In one sense, this is, despite all the men running around and the macho delirium, something very terminate to ladies night out. It’s a period portion treasure yarn, as exquisite as a teenager’s heart.
Mary Murphy, who in my understanding really steals the expose, is at the very center of the drama and the psychology (not to mention that she looks downright yummy in her cashmere sweater and terminate fitting skirt) . She plays Kathie Bleeker, a runt town girl whose heart yearns for something–anything–to crash the tedium. Along comes Johnny to sweep her off her feet. Only he isn’t definite how. Furthermore, she has a problem: although she falls in care for with the wild one, she sees legal through him. The scene that makes the movie begins with her jumping onto the benefit of his motorcycle (of course) and, after roaring down the night highway, they retire to what looks like a park. She is about a breath away from what frail to be called swooning, but despite her fluttering heart, she sets him straight on who he is and how she feels and why. It’s like a woman talking to a wild boy. Then she falls to the ground and unprejudiced about caresses his motorcycle. It really hits home because she sees through all his pretense and exposes his vulnerability, but is vulnerable herself.
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Lee Marvin plays the rival gang leader with a lot of showmanship and Robert Keith plays the ineffectual father. Unprejudiced about everybody else (including longtime LA sports anchor, Gil Stratton) amounts to an extra.
See this for a glance at mid-century psychology as seen through the eyes of Hollywood’s seduction machine, and especially for Mary Murphy (running in those heels) who, for whatever reason, never became a star.
I recognize at this film today through very different eyes than when I first saw it as a high-schooler in ‘54.
Of course a lot of it seems hokey now, and with suited reason: the world is a far less innocent area than it was in those bucolic, Eisenhower, pre-R&R days.
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But when it first came out, it was Hot Stuff. Abominable guys, noisy bikes, beer-drinking, and girls in tight sweaters were a immense deal to us then.
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